In PMO school, they teach you that trust is everything when building a successful project team.
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Today, it's those plus social media; scripts and plans for podcasts and videos; and other duties as assigned (ODAS)
And even more so today, it may mean consulting or incorporating some regenerative AI artifact ... text, video, art, image ... in your creation for which you may have been the creative "prompter"But, if you're a ghost writer (or creator) for the 'boss', who gets the credit? Do you have a byline as a contributor? And, does the boss get the credit for imaginative and effective writing or production when it's really you? And (gasp!) does the AI thing get some of the byline or creative credit, even if you're the prompter?
Life is too short
If you can't live with the material you're writing, then don't. Find new material; and find a way to persuade the boss to let you use it.
And if all that doesn't work, you may have to fire the boss! (Aka: get a new job)
One of these risks is based on an independent probability. That is if I drown in a pool it's not going to have an affect on the probability of my neighbour drowning. But, on the other hand if I have Covid 19 you'll find the probability of my neighbour having Covid 19 is dependent on that; that is, the probabilities are dependent.
In one we truck along with a base rate of events unaffected by each other, in the other the events can affect each other and the risk can suddenly blow up.To be very clear the two risks are immensurable and not directly comparable."
There comes a point where more planning can not remove the remaining uncertainty, instead execution must be used to provide data and remove uncertainty.
The essence of risk management lies in maximizing the areas where we have some control over the outcome while minimizing the areas where we have absolutely no control over the outcome and the linkage between effect and cause is hidden from us.
" ....... because as we know, there are known knowns; there are things we know we know. We also know there are known unknowns; that is to say we know there are some things we do not know. But there are also unknown unknowns—the ones we don't know we don't know."No luck
Present events are connected with preceding ones by a tie based upon the evident principle that a thing cannot occur without a cause that produces it. . . .Bernstein or Bayes' (with help from ChatGPT)
All events, even those which on account of their insignificance do not seem to follow the great laws of nature, are a result of it just as necessarily as the revolutions of the sun.
1. Cost: All the money required to get from project charter to the final report. For anything other than a Kool-aide stand, cost can be a bit tricky: Direct costs, capital costs (**), and indirect costs. The first two, at least, are project inputs which are pretty much the responsibility of the PMO to estimate and then manage, after the accountants set the rules. Indirect costs may also be a cost input, but the PMO has much less to say about them. (***)2. Price: What the customer pays (and when they pay, to wit: purchase, lease, or rent). Price is largely a marketing responsibility to determine. There are many considerations: Cost input is one of them, so the PMO's cost decisions do connect to price. Indeed, the price-point for the customer deliverable may strongly influence the project budget, not only in terms of development cost, but also the deliverable design that feeds into post-project production and post-delivery service costs.
And beyond an intended price-point, there are other market considerations for price as well, and these considerations are usually multi-factored (discounts for some customers; meeting the competition; loss leaders, inventory clearance sales, etc)
3. And then there's margin. For simplicity, margin is price-less-cost. So again, the PMO connects to this dot through the 'cost input'. In real life, margin is a pretty complex computation involving both accounting rules and tax rules. In fact, the accounting margin and the margin reported for taxes (profit) may be quite different. So, leave these computations to the accountants!
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(*) "Managing Project Value" (cover picture below)
(**) For accounting purposes, those project items that are "capitalized" will have a value on the business' balance sheet until they are depreciated over time as non-cash expenses on a P&L statement. However, the actual cash expense incurred when the items are purchased may go against the project's budget, depending on the accounting rules of your particular enterprise.
(***) Indirect costs are usually an allocation based on resource utilization. The allocation rules are generally set by the accountants. These costs are largely out of the control of the PMO even though they may appear on the project budget.
Some direct costs may be subject to rules: For labor, "standard cost" may be set by accountants such that a project is charged for internal labor at a 'standard cost' by labor category, and not the actual salary of the employee.